Teresa Waterman 

"Linguistic Murmurs " is a study of language and art as possible words.
Inspired by the political rhetoric during the 2016 presidential campaign, quasi words form a language of icons and indexes questioning truth and authenticity.
The dense journalistic networks of inky unreadable symbols are fragments of communications torn from their original context. Muted, they are meant to disrupt flow and conversation.
Antique doilies drift across the paper like floating stars filled with an ethereal meaning.
Exposed by time, these echoing feminine voices communicate their presence with tranquility.
Multiple meanings and transcriptions begin to form in the mind.
By using unreadable symbols, understanding without knowledge is conflicted.
With an absence of structure and meaning, words become a" Murmur."




Paper, Litho crayon and vintage laces
20 x 30 inches each



As a Psychologist and as a person I believe one of the biggest issues we have to deal with in our daily life is to balance our wellbeing and mental health......

To keep our inner balance under adversity. How to find that natural force that is the resilience that helps most people to overcome their misfortunes.

In the face of adversities, that tests our physical and emotional balance, which threatens the survival itself, we need mechanisms to resist. Emotional connections, mental faculties, self-esteem, positive thinking, the reasons for living and the inclination to locate the control center within oneself are the factors that allow us to recover from the blows and even come out strengthened.

With the aim of being the best prepared possible when facing the difficulties that inevitably gives us life, we need to learn how to find happiness in our life, we need to learn how to keep a positive thinking, accepting the ebb and flow of life, embracing our imperfections as part of our singularity.

These work were created in a pursuit of my balance, I needed to look back to my origin to find who I was in order to find who I want to become. Using organic materials as sand and paper allows me to dig into my roots.
From My Window
Oil and sand on canvas 

Kathryn Cameron

The Installations, sculptures, drawings and paintings of Kathryn Cameron are all formed by materials with rich textures inspired by abstract forms, offering an echo of the natural elements of the Earth. Contemplation of growth, decay and chaos stimulate the viewer to explore the relationship between the container and the contained. In the dichotomy that embraces both the external and the internal status, with all of its inner symbolic values, the work is always in transformation. In this condition, subtle metamorphosis, ephemerality, and passage of time are guiding the process between deep poetry and structure, gentle form and spirit.  www.kathryncameron.com

Nadia Martinez

Computer parts compose the sculptures of Nadia Martinez, in which nature and architecture are hidden sources of inspiration.  The artificial nature of these components sometimes disappears, leaving space for a composition that reveals an organic shape.  Many things are woven in this relationship with technology, as the discovery of the familiar in the unfamiliar, the observation of things that surround us, the awareness of how technology became a solid and integrated part of our lives. In her works, Nadia has found a way to also insert everyday materials, focusing on how things influence the human being and vice-versa. In this unique approach, the construction of the artist becomes an open process in which the things assume different shapes, such as armors, shields, nets, and whatever determines the interchange. The work is calm, offering a balance between stillness and subtle movement. The desire, the action, the research for a path of connection and disconnection, seems to reverberate with the antique mythology in which legend and reality constantly change their roles.  www.nadiamartinez.com

Taka Maruno

Taka Maruno is a sort of traveler trapped in the interstice of the city, in which the change of the seasons is reflected with delicacy and elegance. The love and the beauty of the people emerge from immemorial time as a foundation and the manifestation of the intimacy of nature. In his rich palette, the joy of color is free but always severe, in a series of assonances and dissonances. The work suggests a simultaneous exchange between cold and warm elements, expressed through lines and volumes of color floating in a universe of suspended time.